Synasthesia is this month’s chosen print by Alan Grabham and an example of his vibrant and dynamic abstract aesthetic.
Read MoreA sequence of mathematical reductions make up Thirds I & Thirds II, our chosen prints this month produced in 2019 with Royal Academician John Carter.
Read MoreProduced during lockdown, Eclipse develops upon the Jo Taylor’s already extensive portfolio of prints made in collaboration with the studio. Our recent Q&A further explores the process and inspiration to the artist’s work.
Read MoreIn Explorer, Newcastle-based Rachael Clewlow translates her every day movements into an abstracted ‘map’.
Read MoreNigel Hall RA is inspired by the calming atmosphere found in natural environments. For July, we chose Ice (2018) as the featured print this month.
Read MoreTaken from a series produced with artist Paul Coldwell, Points of Reference I observes the seemingly everyday and mundane objects to add a sense of poignancy and charm.
Read MoreThe soft colour palette and textures within Fiona Thomas’ Segovia Aqueduct 2 are heavily influenced by nature, landscape and architecture.
Read MoreStudy in Blue on Black explores different colourways and Alex Charrington’s interest in geometry.
Read MoreRivoli Reds is a prime example of Royal Academician Mali Morris’ exploration of brushwork and chromatic relationships.
Read MoreThe works of Peter Randall-Page RA often explore pattern and variation within biological structures and historical writing systems with Tarantella I & II being produced taking reference an energetic dance and spider-like symbols.
Read MoreThe luminous and prismatic Barn (Yellow) produced with Willard Boepple was a highlight selected from 2019 to be our featured print this month.
Read MoreTo end the year, we chose a pair of 4-colour screenprints by Stephen Chambers RA which take on not just a monochrome application, but also a vignette-like border.
Read MoreThis month’s chosen print is Giant Steps by London-based artist Trevor Sutton who applies a mathematical, graphic approach to his works.
Read MoreIn Shepreth, Gina Medcalf explored an abstract approach to making the streaks of vertical colour in her collaborative print with the studio.
Read MoreA fine veil of pattern overlays this secretive meeting of horseriders in The Moon is Down by Stephen Chambers RA.
Read MorePrimarily a painter, but fascinated by how her usual ways of working can be translated into the medium of print, Mali Morris RA collaborated with the studio earlier in 2019 to produce Mardi Gras.
Read MoreTwo techniques converge in Balkaskie, a mixture of drypoint and screenprint that captures a sense of both the texture of the hard-bristled brushstrokes and energetic pop of colour typical of a work by John McLean.
Read MoreTimecast 21 (Green) is our chosen Print of the Month for March. Taken from a series created in 2013 with Newcastle-based artist Nick Kennedy which explore the use of a machine-aided drawing process.
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